Paletitas de Guayaba=On a Train Called Absence (La Mujer Latina Series)

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This book discusses and sheds light on the underlying dynamics determining and shaping identity and self-image of the Mexican American as an individual and a social group. Blea, Irene I. Yasmeen Namazie, editor. At the time when young girls quickly grew up to become old women, young Suzanna was raised by her grandparents. When the time came, the wedding took place in the northern New Mexico village church on a weekday with only the abuelitos in attendance. In two years Suzanna gives birth to two sons. Economic hardship forces Felipe to seek work elsewhere. During his two-year absence, Suzanna successfully tends the farm, bonds with the two boys and wishes her husband never returns.

He arrives to announce they are moving. Suzanna does not want to move, ensuing a conflict permeated by gender and cultural clashes, inequality, violence and asymmetry. Suzanna toughens her emotional self, and uses her wits to resolve an untenable situation. Irene I. She has written of over thirty articles and seven text-books with an emphasis on Chicanos, Latinos and women.

Her work has been referenced by researchers and used as required university classroom reading.

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She is an award winning scholar, a poet and a public speaker on racism and gender relations. The last child of a large Hispanic family she was raised by her grandparents because her parents feared they could not afford to rear her. She was much loved in her young life, and much used and abused. As she matured, she faced prospects she could not bear. Suzanne is a truly outstanding first novel. Her characters and story capture the soul of New Mexico.

It is filled with vividly captivating details that just entices you to read on. Huevos is a politically incorrect articulation of the plight of Latino men in this era of so called gender equity and diversity. The author contends that while White women have made progress, Latinos, particularly Mexican men, have been entirely ignored; they have become the epitome of the poor working class. Ambitious and upward mobile Latinas often look down upon Latinos, and particularly Mexican males' lackluster economic success, preferring other males.

Latino males have been left out of any gender or racial discussion, yet suffer the negative highs and negative low of social conditions: Latino men have the highest work related injuries and death rates, high incarceration rates, the highest poverty even though they have the highest labor participation rates and high school dropout rates.

On the lows, Latino men have the shortest life span, lowest college attendance and low high-school graduation rates and lowest income derived from full-time work. The Latino male have become the Sisyphus's of America condemned to low wages by globalization, to ignorance by mediocre, highly-politicized-unionized low-performing teachers and schools, and destined to be marginalized of any equity-political-solution. The progress of White women has maintained White power by driving the diversity dialog, praxis, and remedy away from Latino males--the working, and uneducated poor.

As Latino men have been relegated to a caste style social gender structure--the hard working indigent--Latinas have been blinded into believing that feminism and Chicanisma are positive, weakening Latino traditional social fabric and support system, while simultaneously ignoring the societal divide distressing Latinos, and especially Mexican males. Blacks counted with and had the strong support of their women to fight for equality in the s. Latino men, instead have no partners in this struggle. Latinas want their "freedom" away from the men, home and culture.


Ya era hora! In an era of such political correctness, the timing couldn't be better.

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Morales Jr. Chair and Professor of Chicano Studies, L. Mission College. Thank you for addressing the real challenges Mexican man face everyday in US society. University of California, Berkeley. Destined to be one of the most discussed books in ! Castillo, Adelaida R.

Del, Editor. The most comprehensive and complete original history of U. Latinas of Mexican descent written by an outstanding team of Mexican and U. The essays reflect the maturation of the field in the 's. These eleven tightly-packed short stories, often allegorical yet visceral, range from the phantasmagorical "Aurora", whose misdeed has condemned her to a cyclical river of Eternal Return, to the agnostic Tomas and faithful Pedro in the theological "Penitent of Guadalupe Street", where truth is an enigma wrapped in a metaphor.

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In another story, a bellicose dwarf is murdered and the story is told from shifting points of view. In "Dwarfs and Penitents," an angry jilted husband searches the cobblestone streets of Prague in search of vengeance, while in "The Sands of Dhahran," a middle-age soldier battles his demons during Operation Desert Storm. In these luminous stories, Castillo give us penitents, dwarfs, lost youth, WWII vets, pachucos, doppelgangers, and memorable others populating the American literary landscape.

Chaves, Emma. The feisty mountain people of Alturas, in the Cordillera Central of Puerto Rico, scratch and claw to survive in their beloved but devastated patch of God-given earth. During the early 20th century one calamity after another has caused hunger and misery to hover over this beautiful Island and its amazingly resilient people. The colorful characters depicted in these compelling and unforgettable tales seek happiness by spreading rumors, creating tales, accessing the spirit world, even seeing the sudden apparition of a loved one.

Somehow, they must pick up the pieces of their shattered lives and continue to trudge forward with dreams and hope. Tales from Alturas is Emma Chaves first novel. She immerses us in her narrative populated by multidimensional and realistic characters, often complicated and unpredictable, but more importantly, drawn from her ample and keen and ardent knowledge of the Island and her people; individuals more often than not, found in the typical Latino world.

This is an outstanding novel about a colorful family chronicle of the struggles to endure in a difficult world caught between the past and uncertain emerging future. Chew, Selfa. Toshiya Kamei, translator. Silent Herons.

On December 7, , a Japanese suicide squadron attacked Pearl Harbor, marking the beginning of the Pacific War against Japan in all fronts. After this event, the U. This offensive took place gradually and systematically in the Mexican Republic. Japanese immigrants—and their Mexican descendants in Mexico—suffered, as in the United States, the consequences of World War II in various ignominious ways: some families were sent to concentration camps in Mexico City and Guadalajara, while others were destroyed by the selective detention of hundreds of men in the Perote Prison, the forced sale of their property, and deportation.

This book gives a partial account of the history and reprehensible treatment of the Japanese-Mexican community during World War II in Mexico. The task of narrating this story is so complex that it is necessary to incorporate interviews, legal documents, police reports, memoirs, poems, and short stories.


All names have been changed, and while some situations are fictional, others are told in the first person by those affected to give the reader a human dimension. The documents that served as the basis for this book can be found at the General Archives of the Nation of Mexico and the National Archives of the United States.

However, oral histories are the cornerstone of this text. Images, poetry, and words disseminate a unique story. Based on true events, but it doesn't allow itself to be overwhelmed by them, nor does it seek to be a mere reconstruction of the past. The materials have been placed in their places: they are seamlessly intertwined. Silent Herons is a complex work for its literary originality expressed in artistic form and language, and for the weight of events of more than fifty years ago that have rarely been examined. This is a publication of Floricanto Press.

But instead of the excitement and jubilation she is expected to feel, all she can summon is uneasy dread and anxiety about what this day means. Her parents have been planning this event her whole life and Mimi is filled with the weight of their expectations, to act like a proper lady and know what to do.


Mimi is distraught and believes that is what happens when parents, family, and society, rush a girl into womanhood. This is all the more reason for Mimi not to accept the tradition of publically becoming a woman. This is a coming of age story about two cousins, who are the best of friends. The girls will learn to stick together and that the bond between family is stronger than any rite of passage. Everyone needs a Tia Emmi in their life. By Judy Paneto-Roman.

As a mom of a soon to be teenager, I will pass down this book to my daughter so that she can learn about the culture and the importance of family. Jessica Cortez. Her struggle is personal and heartwarmingly portrayed and I was easily wrapped up in the story. Deborah Rosa, MA. The Delirium of Simon Bolivar.

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Her desire to make known in the USA an historical figure so extraordinary, courageous and lucid is an admirable goal. Her verses struck me as very beautiful, with a notable capacity of synthesis, and holders of the undeniable emotion of doing something for all. The author also refers at times to things that can seem simple, but with the punctuality of the cruel reality of a fierce suffering, as if making it normal and part of daily life.

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The metaphors that are included in the volume are also of an artistic depth without equal. The author is an architect of poetry that is sincere, authentic, and spontaneous. One might say it is poetry inspired by the instinct of the heart. Dean, Jenny. During the Chicano Movement in the s and s, Chicanas helped Chicanos achieve equal rights, while at the same time suffered oppression as women wihin their own race.

In the s, the Chicana Feminist Movement was founded to address the specific needs of Chicanas as women of color in the United States. Chicana artists began to write and produce works in which Chicanas were given a proper name, voice, and image.

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  • Paletitas de guayaba = On a train called absence : a novel in Spanish.
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  • Soon, Chicanisma, a sense of sisterhood and feminist discourse, emerged to confront the triple oppression of race, class, and gender.